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Combs was Blige’s co-executive producer for the film, and Quincy Jones served as the executive music producer. Henson and Sean “Diddy” Combs all appear in the documentary. Blige says there was a point during the recording of her 1994 album “It’s My Life” at which she “didn’t want to live.” WireImageĪlicia Keys, Taraji P. In the neighborhood we lived in, it’s like prison. “The only thing, I think, that kept us guided was the music.
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She also says that music was a savior during her early life growing up in the Bronx. I had it all inside and I was able to sing it and write it, and I didn’t know that so many people felt the same way.” She says in the clip, “‘My Life’ is probably my darkest album at one of the darkest times I’ve had.” She adds, “Most of the time I was just depressed and didn’t want to live. Blige: My Life” follows the R&B legend’s rise to fame and the making of that record. Blige says that there was a point during the recording of her seminal 1994 album “My Life” when she was “depressed and didn’t want to live.” In a trailer for her new documentary, Mary J. My Life, nevertheless, emanates from some deep, dark place where both sadness and happiness cohabitate and turn into one single, beautiful sorrow.Fans confused by Eminem’s oddly dark eyebrows at Super Bowl 2022 Blige's strain is sleekly modern and urban, and the grit in it comes from being streetwise and thoroughly realistic about the travails of life. Blige took a huge leap in artistry by penning almost everything herself (the major exception being Norman Whitfield's "I'm Going Down") in collaboration with co-producers Combs and multi-instrumentalist Chucky Thompson, and everything seems to leap directly from her gut.
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My Life is, from beginning to end, a brilliant, wistful individual plea of desire. The hip-hop part of the combination takes a few steps into the background, allowing Blige's tortured soul to carry the album completely, and it does so with heartwrenching authority. But it is some of the finest modern soul of the '90s, backing away to a certain extent from the hip-hop/soul consolidation that Blige introduced on her debut album.
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This certainly isn't your parents' (or grandparents') soul.
![youtube mary j blige my life album youtube mary j blige my life album](https://i.ytimg.com/vi/6is_dIl2_M0/hqdefault.jpg)
The melodic sources this time around, though, are so expertly incorporated into the music that they never seem to be intrusions, instead playing like inspired dialogues with soulsters from the past, connecting past legacies with a new one. The production is not exactly original, and there is evidence here of him borrowing wholesale from other songs. Perhaps the single finest moment in Sean "Puffy" Combs' musical career has been the production on this, Mary J.
![Youtube mary j blige my life album](https://kumkoniak.com/73.jpg)